Creativity on LJ...
Jan. 7th, 2005 06:28 amRecently someone on one of the lists I belong to mentioned that it's off-putting when a writer draws attention to an allusion or bit of foreshadowing they've made. It does seem to smack of "Look how clever I am!"; I can see doing a separately archived annotated work, if there is enough demand, but to point out the clever bits in the fic itself or even in the author's note seems distracting.
However, it started me thinking that, on the other hand, annotated versions are few and far between. Artists spend all of this extra time putting in clever touches, and so many of them go unnoticed. I thought it would be nice to have an entry where we show them off. I'd love to read about the thoughts behind the creation. I'd love to see what the artist created and hear what influenced the work or why they think it's particularly clever. (I'm not much of a fan of Formalism.)
Seeing that I have a wonderful flist, full of amazing fanfic writers, fanartists, and photographers, I thought that it would be fascinating to hear a few stories.
So here is a little exercise for the flist, if anyone is interested.
1) Find something you've created that you're rather proud of. Art, poetry, fic, whatever. This is the Ego Stroking thread...don't be afraid to add to it. I'm certain that you've created something that's rather clever...here's a chance to celebrate it!
2) Comment to this entry, or make your own entry, and either provide a link or a sample of your creation.
3) Explain why it's clever or why it was particularly difficult to create or why you love it so.
4) Mention anything else of note about it.
I'll be the guinea pig...I think what I'm most proud of in fandom is, quite surprisingly, one of the shortest things I've ever written. It took a while to really shape it in the exact manner I wanted. It was a response to the First Line Drabble competition that swept through LJ some time ago. I wrote a creepy little drabble on
switchknife's LJ based on one of the first lines of one of her works. It's mature, of course, so don't say I didn't warn you. The first line I used was The body is his book.
----------------
The body is his book. Lucius can always tell the lies it conceals, and this one should be no different, pale, sallow, spread out over the table like parchment. Black eyes like ink. He touches the warm flesh, lightly running his fingertips over one jutting hip. This body should have held no lies from him. This body should have known better. Its traitorous heart intrigues him.
He can control every last muscle, can do things with Imperius that even the Dark Lord might fear. It only takes the slightest effort to keep this body quiescent. He wonders where the treachery is written; the soles of the feet, the tender scalp, the delicate webbing between fingers.
This body is a mystery he will illuminate. He will have to sink deep to bring out the hidden letters, the dark morass of perfidy, the black word of betrayal that sprouted through the flesh.
-------------------
It was particularly difficult not to have Severus interact with Lucius, but I thought that would have spoiled it. I wanted to build up tension, to have the writer imagining him violently afraid under Lucius's fingertips. I love the clinical detachment that Lucius has affected; now that Severus has been found to be a traitor, Severus is nothing but an experiment to him, all human emotion divorced and withdrawn.
My favorite bit is "dark morass of perfidy"...so melodramatic, which you know I love. I kept that phrase in my head for weeks. I also love how the traitorous impulse is described as a plant, wending its way through Severus's body and bringing him to betrayal. I also love that Severus is described as parchment and ink in the second and third sentences, bringing in
switchknife's first line, and then continuing the book comparison with "where treachery is written", "a mystery he will illuminate" (as in illuminated manuscripts), "the hidden letters", "the black word of betrayal". Oh, I had so much fun with this drabble, and I completely forgot about it until I thought of what I'd like to bring up for this entry.
Heh, the explanation is longer than the work. How amusing.
I am so hoping you'll respond...I think it will be really interesting. I am always amazed by the talent I see on the flist (and in the fandom/LJ in general), and I'd love to hear what you have to say!
EDIT: I fixed teh ebil bolding tag.
And another thing: You, flist, are cool. I knew it already, but still. Keep responding...have fun!
However, it started me thinking that, on the other hand, annotated versions are few and far between. Artists spend all of this extra time putting in clever touches, and so many of them go unnoticed. I thought it would be nice to have an entry where we show them off. I'd love to read about the thoughts behind the creation. I'd love to see what the artist created and hear what influenced the work or why they think it's particularly clever. (I'm not much of a fan of Formalism.)
Seeing that I have a wonderful flist, full of amazing fanfic writers, fanartists, and photographers, I thought that it would be fascinating to hear a few stories.
So here is a little exercise for the flist, if anyone is interested.
1) Find something you've created that you're rather proud of. Art, poetry, fic, whatever. This is the Ego Stroking thread...don't be afraid to add to it. I'm certain that you've created something that's rather clever...here's a chance to celebrate it!
2) Comment to this entry, or make your own entry, and either provide a link or a sample of your creation.
3) Explain why it's clever or why it was particularly difficult to create or why you love it so.
4) Mention anything else of note about it.
I'll be the guinea pig...I think what I'm most proud of in fandom is, quite surprisingly, one of the shortest things I've ever written. It took a while to really shape it in the exact manner I wanted. It was a response to the First Line Drabble competition that swept through LJ some time ago. I wrote a creepy little drabble on
----------------
The body is his book. Lucius can always tell the lies it conceals, and this one should be no different, pale, sallow, spread out over the table like parchment. Black eyes like ink. He touches the warm flesh, lightly running his fingertips over one jutting hip. This body should have held no lies from him. This body should have known better. Its traitorous heart intrigues him.
He can control every last muscle, can do things with Imperius that even the Dark Lord might fear. It only takes the slightest effort to keep this body quiescent. He wonders where the treachery is written; the soles of the feet, the tender scalp, the delicate webbing between fingers.
This body is a mystery he will illuminate. He will have to sink deep to bring out the hidden letters, the dark morass of perfidy, the black word of betrayal that sprouted through the flesh.
-------------------
It was particularly difficult not to have Severus interact with Lucius, but I thought that would have spoiled it. I wanted to build up tension, to have the writer imagining him violently afraid under Lucius's fingertips. I love the clinical detachment that Lucius has affected; now that Severus has been found to be a traitor, Severus is nothing but an experiment to him, all human emotion divorced and withdrawn.
My favorite bit is "dark morass of perfidy"...so melodramatic, which you know I love. I kept that phrase in my head for weeks. I also love how the traitorous impulse is described as a plant, wending its way through Severus's body and bringing him to betrayal. I also love that Severus is described as parchment and ink in the second and third sentences, bringing in
Heh, the explanation is longer than the work. How amusing.
I am so hoping you'll respond...I think it will be really interesting. I am always amazed by the talent I see on the flist (and in the fandom/LJ in general), and I'd love to hear what you have to say!
EDIT: I fixed teh ebil bolding tag.
And another thing: You, flist, are cool. I knew it already, but still. Keep responding...have fun!
(no subject)
Date: 2005-01-08 01:53 am (UTC)"You, 7:00. You, 7:30...and bring a friend."
I'm so surprised that no one pointed it out!! Especially considering what Rickmaniacs we all are.
(no subject)
Date: 2005-01-08 09:09 pm (UTC)Okay...one of the scenes I love the most, I've mentioned to you before. The Dream in Chapter4 of Fallen. Here's why... Life for Rent was all about the tension, the attraction, and tons of near misses. At the end, she's just found out that he's a Death Eater (via the Mark going off right while they're about to have sex), but doesn't know he's not really...just an agent at this point for Dumbledore. She flees and goes on the run...right into the Forbidden Forest. It's Halloween, it's pouring...and the temperature is near freezing.
The dream happens after she's been gone for about 2 days. No one can find her, and Snape's been leading the search...he's frantic, while trying not to look frantic (after all...he's supposed to find her repellant), and blaming himself alot. She's in the forest, freezing to death (after falling into puddles, soaked to the bone, and freezing temperature), and just collapsed into unconsciousness.
And then...Snape dreams...(after forced to bed by McGonagall)...
We wanted to show an environment he'd never go...and see a side of Celene no one has seen. Here she's rather young, dancing, and very likely high (or at least drunk)... He's lost in the club and trying to get to her...and when he does can't reach her verbally... I think we filled it with a bit of symbolism. She's lost physcially and emotionally, and he's trying to reach her. But though he awakes knowing where she is, he also knows that she'll never likely speak to him again. I also like how the whole chapter was done. Several things are going on at once - the Dream, the Centaurs actually finding her and getting Hagrid (cuz they are not anti-Muggle), and then Hagrid's return with her near death just as Snape is running out the door to get her...and the result of that.
Actually (and I know this is getting long...sorry!), I'm rather proud of Fallen as a whole. It was very diffcult to write, because it was entirely angst filled. Life for Rent was all about the will they or won't they...Fallen was about exactly what we quoted from the song by Sarah McLachlan. First, it's about him and his fall...then it switches over to her and her fall. Both are obviously attracted and want to be together. He loves her, but his past is getting in the way. When she finds out and finally comes to him, she reacts the way her past has made her. She treats him as an object, though she does care...but can't bring herself to say so. Instead, they make each other miserable. It's only when she ends it, that she's forced to realize how she does indeed love him, and that if she's ever to be happy she has to change...and then by the time we wrap up, both are together and happy (mostly...still that pesky Muggle/Pureblood thing..and the Death Eaters...and the whole spy thing...and he can't acknowledge his love for her publicly...).
Sorry if I just ruined this for readers...I'll put a spoiler warning in...but I think it won't change the pleasure of the read.
I've rabbited on enough...hope I made some sense...
Aeryn (see Valis what happens when you promote me to talk!)
(no subject)
Date: 2005-01-08 09:48 pm (UTC)God, ...there's so much we've written that we've not published yet that it's not funny, qute a few are coming up in our current segment, but can't mention them or the Boss (Aeryn again) will fire my ass.
Of the stuff we have donee...excluding the stuff that Aeryn has mentioned...I enjoyed (if that's the right word) the gradual painful and believable break up of our duo in Fallen, culminating in a rather kick ass (and kick door) bathroom scene where a few home truths were laid down by Snape. In the aftermath of that I also enjoyed her gradual realisation of what she'd done and her painful confession of her mistake to him...we worked on that scene a lot, it took on a couple of incarnations but I think it turned well. I also think we've done some hot "overheating" scenes and some steamingly good lemony ones.
I'm proud of how good a character Celene is, strong, brave, quick witted and funny but deeply flawed too, often selfish, childish, irritating/irritable and foolhardy very human and believable...but that's all due to Aeryn. Kudos hon!
But honestly, without wishing to sound like an advertisment, so much of what would make my Top Ten is yet to come publishing wise...plot, drama, pain, angst, romance and action.
(no subject)
Date: 2005-01-08 10:06 pm (UTC)I didn't know you had a livejournal!
(no subject)
Date: 2005-01-09 02:36 am (UTC)Could not agree with you more about characterisation, for me, good plotting and characterisation are what makes or breaks a story, when people tell you they like your creations and want to find out what happens next to them or had an actual emotional reaction to what was going on its a completely vindicating experience...
Though we write for ourselves, I think some of the biggest grins Aeryn and I have had so far, are those people who have very kindly told us they picked up our (admittedly very long) fic and read it straight through without stopping, wanting keenly to know what happens next, those kinds of responses let you know you must be doing something right!
(no subject)
Date: 2005-01-09 02:43 am (UTC)Oh, yeah, I love reviews where someone reads it all...though I am surprised when they say that it only took them two hours...considering that it's 100,000 words long. I'm pretty fast, but I couldn't read that quickly!
(no subject)
Date: 2005-01-08 10:04 pm (UTC)see Valis what happens when you promote me to talk!
;) Precisely why I knew it would be a good idea to run this little entry! It's always fun to talk about creativity.